The first Reggae recordings in Latin America
were made in Panama in the mid-1970s. A
large number of Jamaican immigrants had
been brought in during the building of the
Panama Canal and they brought with them
Reggae music to the local population.
In 1985, rapper Vico C from Puerto Rico
produced the first spanish-language Hip
hop record. Thus the two main influences
of the genre were in place, as well as the
two main producing countries.
Reggae production took off seriously in
Panama in the early nineties, about the
same time Jamaican Ragga imports were becoming
all the rage in Puerto Rico. Towards the
middle of the decade Puerto Ricans were
making their own riddim material, with clear
hip-hop influences, and recording what must
be considered the first proper Reggaeton
tracks.
However, Panama has always held its own
production-wise and its own blooming Reggaeton
scene was created when the local reggae
scene was infused with Puerto Rican influences
a couple of years later. Today the music
flourishes equally in both countries and
has also spread to the rest of Latin America,
including Colombia.
Distinguishing Features
The music is, even today, very similar
to Jamaican Ragga. The same basic rhythm
is employed and many of the vocals tends
to be in the Ragga style, although Hip hop-styled
vocals are also common. Many riddims used
in Reggaeton are also directly taken from
Jamaican producers, with relatively minor
changes (see below).
The genre's most notably unique feature
is a driving drum-machine track derived
from Puerto Rican genres Bomba and Plena.
This is integrated into the riddim used,
whether Jamaican or locally produced. However,
despite the genre's relatively high level
of derivativeness it is often very creatively
done, with some excellent producers and
performers incorporating their own personal
musical backgrounds into the crafting of
songs.
The lyrics, like most working-class popular
musics', are often about the reality on
the streets, misunderstandings, unfair situations,
love, cheating and passion.
Reggaeton Today
The genre has only grown in size over the
past few years and is starting to reach
international recognition. Reggaeton's biggest
international hit to date is "Papi
Chulo (Te Traigo El Mmm...)" by Lorna
from Panama. Swedish-produced "Chupa
Chupa" by Cuban El Médico del
Rap and the radio remix of Dominican Bachata
boy band Aventura's "Obsesión"
are other hit tracks clearly influenced
by the reggaeton style.
Most recently, artists from Puerto Rico
(which arguably produces the most popular
artists of the genre) have grown to be immensely
popular on the island and outside. Biggest
of all being Tego Calderón, Don Omar,
Wisin y Yandel, Héctor y Tito, Daddy
Yankee, Zion y Lennox, Baby Rasta y Gringo,
and Ivy Queen. They are the most demanded
reggaeton artists in Puerto Rico, and most
of Latin America. All have performed massive
concerts in Puerto Rico and are the ones
credited with bringing it into the mainstream
and allowing it to become more commercial
and embraced by the public that had chastized
it in its beginning. Reggaeton is also beginning
to amass a large following in areas such
as Florida, New York, the Boston area, Chicago,
and small pockets of the USA where the latino
population is sizeable or where there is
a large club scene.
And large music companies are taking notice.
Sony Music has signed significant deals
with artists such as Buddha's Family, Mickey
Perfecto, and Noztra. Universal Music is
also one of the major distributors of the
genre in and outside Puerto Rico. They have
deals with most of the large production
companies of reggaeton on the island.
Don Omar recently headlined a concert in
South America alongside international dancehall
artist Sean Paul, worked alongside the famous
merengue band Limi-T 21 on two songs on
their recent album, was featured on Los
Rabanes' newest CD, participated with Ednita
Nazario in her recent concert, and made
a public deal with Emilio Estefan for production
of some songs as well as help in internationalizing
himself and the genre. He will also be the
first rapper to participate during the famous
Banco Popular concerts that take place every
year. Héctor y Tito themselves have
recorded alongside Jose Feliciano, and more
recently alongside Victor Manuelle and Domingo
Quiñones (two popular salsa artists).
They're also touted to have Gilberto Santa
Rosa participate in their next album. Other
artists have had high profile collaborations
with other artists outside the reggaeton
genre, most notably : Tego Calderón
with Fat Joe, Wyclef Jean, Cypress Hill,
Nina Sky, Toño Rosario, and 50 Cent.
He is also the official face of Hennessy
in the Latin American market. Ivy Queen's
next album ("Real") has songs
alongside Sean Paul, Beenie Man, La India,
and Fat Joe. Daddy Yankee has a song alongside
Nas called "The Prophecy", and
also has a track on the soundtrack of the
movie One Tough Cop.
Recent events have only slightly tarnished
the image of reggaeton in Puerto Rico, most
notably being Tego Calderón's public
alimony dispute with his ex-wife, Nicky
Jam's attempted murder case (the judge found
no cause, and the case was dismissed), and
Don Omar's highly publicized arrest after
allegedly being caught by two police officers
smoking marijuana inside his Hummer H2 and
carrying a loaded gun with a mutitaled serial
number. He has denied any wrongdoing, and
his case will go to court soon.
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